![]() ![]() Goodbye Cruel World – Band Demo Programme 3, Band Demosģ8. Another Brick In The Wall, Part 3 – Band Demoģ5. Another Brick In The Wall, Part 2 – Band Demoģ4. ![]() Another Brick In The Wall, Part 1 – Band DemoĢ8. Prelude (Vera Lynn) – Roger Waters Original DemoĢ4. Outside The Wall Programme 2, Roger Waters Original Demo And Band DemosĢ3. ![]() The Wall Work In Progress, 1979 Disc 5 (CD) Programme 1, Excerpts from Roger Waters Original DemoĢ2. Tap here.Īll songs written and composed by Roger Waters, except where noted. The Wall Immersion Box Set is currently out of print but can still be ordered worldwide on Amazon. Below, I try to sort out the demo recordings on discs 5 and 6 of the set. To me, the added materials are a nice bonus.Īn excellent detailed unboxing of the set can be found in “An in-depth look at Pink Floyd’s ‘the Wall’ Immersion box set” by Hans Morgenstern on the old Independent Ethos site. Still, I bought this box set for the music on discs 3 through 6. The scarf (scarfe?) would be cool if it were not so flimsy as to be unwearable. For a fan willing to drop whatever cash the band’s label dictates for releases such as these, this footage is a cruel tease. The video content contains only a few fragments of the film shot by Alan Parker of the 1981 live shows. The book which accompanied the original releases of Is There Anybody Out There? The Wall Live 1980-81 is much more informative in that regard. The books are light on any new details from the creation, production or performances of The Wall. The printed pieces are on high-grade stock and are quality work.īoth sets of printed lyrics are the “corrected” version that match the album - without “What Shall We Do Now?” and with “Empty Spaces” preceding “Young Lust”. The replicas of tour memorabilia are reproduced with attention to detail and extreme accuracy. These are reproduced here in much higher quality than the smaller sizes found on the web. One of the books was edited by Jill Furmanovsky who photographed many of these classic photos. The two books are filled with photos of the live shows. Personally, I don’t mind the stuff and think much of it is interesting, unique and relevant. The set still catches flack due to its emphasis on “stuff” at the expense of recorded audio and video. Seriously, this is the definitive release of The Wall to date. Pink Floyd The Wall: Immersion features the classic studio album digitally remastered and presented as a limited-edition, high quality boxset featuring rare and unreleased audio and video material, plus a new 44-page booklet, a book of original photographs, facsimile collectables and memorabilia such as marbles that someone can take away. ![]()
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![]() ![]() Between the Style selection and the simple Mix, Drive and EQ/Tone knob controls, you have just the right number of options to quickly find the vibe you’re after without getting bogged down.įrom the name you might suspect Decapitator to want to tear your head off with distortion the whole time - and it can indeed easily do this, with the Punish button! - but when you’re after more subtlety, it’s amazingly good at just sitting quietly too and adding that warm analogue vibe to any part or track. The letters stand for Ampex analog tape machine, EMI channel, Neve channel, and the Triode and Pentode settings on the Thermionic Culture Vulture valve enhancer. Choosing one of the five lettered buttons engages a different saturation algorithm modelled after each of five pieces of classic gear. As with other Soundtoys plugins, it’s easy to set up several settings and demo them against each other with the “compare” knob.īeyond this, Decapitator also has a really cool “Style” selector feature. Recommended!Īvailable for: Mac, PC | VST, VST3, AU, AAX, RTAS BUY NOW via Plugin Boutique.Įxcellent sound, great interface and simple controls. The latest update, Saturn 2, saw the interface get a welcome refresh and improved modulation visualisation, new subtle saturation and linear phase processing for mastering, and a range of additional distortion types in the processing Style menu. In between that feature and the simple mix knob, you have a whole bunch of options for how, and to what degree, you process your sounds. Saturn 2 can produce effects ranging from warm and subtle analogue saturation to full-on crunchy bit-crushed digital distortion, and for many users this plugin is a potential one-stop shop for saturation as it’s so flexible – the modulation, panning and even compression options are excellent (as always with FabFilter), and the clickable spectrum analyser field at the back is where you can visually set up the crossover points for your different frequency bands, that can then all be treated independently. Saturn 2 is a pro-grade distortion and saturation plugin with a fantastic interface and workflow for multi-band saturation, allowing you to apply broad strokes or get very detailed and clinical with equal ease when applying warmth and distortion to the parts and frequencies of your sounds that need it while avoiding the rest. Take a look at this selection of the best saturation plugins around: In either case, and whether your budget is $0.00 or $200+, there’s something for everyone here. Or you want to take your analogue experiments up a notch while still keeping everything In The Box? So you know you want to use saturation to improve your mixes and increase their punchiness, warmth and presence, but don’t know where to start? We previously covered why you might want to use saturation plugins to add life, character and warmth to your mixes (see that post here). ![]() ![]() It’s nothing too different from what you’d expect from a Foley Hardcore match. Socko makes an appearance, modified with a strand of barbed wire. Foley takes an Irish whip into the stairs knee-first. Like Randy Orton before him, Edge is dumped on said thumbtacks (a rite of passage for any wrestler who wanted to beat post-retirement Foley). ![]() The barbed wire baseball bat makes a comeback, as do a bag of thumbtacks. Foley does a neckbreaker on the outside, Edge snaps Foley’s body back onto the steel ramp. Plus, it’s unlikely we’ll ever see anything like that again at WrestleMania.Įssentially, it’s Mick Foley’s greatest hits, bar any ludicrous falls from great heights. Most of Foley’s ‘Mania matches are mediocre, and that was before he retired! Post-retirement, and carrying a lot of excess weight, could Foley do what he couldn’t before? The answer is: yes! It’s by far Foley’s best ‘Mania match, but it isn’t Edge’s best Mania match (not even his best singles match: that award surely goes to his main event against The Undertaker at ‘Mania XXIV?). Is this the WrestleMania moment that Mick Foley always wanted? In the run up to his match with Edge, one of the key storyline features was that Foley had not acquired a ‘Mania moment. ![]()
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